{"id":13749,"date":"2017-02-21T10:50:20","date_gmt":"2017-02-21T10:50:20","guid":{"rendered":"http:\/\/www.arteclat.com\/?page_id=13749"},"modified":"2023-09-19T09:49:38","modified_gmt":"2023-09-19T09:49:38","slug":"about-the-artist","status":"publish","type":"page","link":"https:\/\/www.arteclat.com\/about-the-artist\/","title":{"rendered":"About The Artist"},"content":{"rendered":"

[vc_row css=”.vc_custom_1492590866025{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_column width=”1\/6″][vc_single_image image=”13542″ img_size=”full”][\/vc_column][vc_column width=”5\/6″][vc_column_text]<\/p>\n

Stage name<\/strong> \u00a0Alen<\/em><\/h5>\n
Nationality<\/strong> \u00a0Polish<\/em><\/h5>\n
Field<\/strong> \u00a0<\/strong>Painting<\/em><\/h5>\n
Movement \u00a0<\/strong>Surrealism<\/em><\/h5>\n

Informacje o arty\u015bcie w j\u0119zyku polskim znajduj\u0105 si\u0119 poni\u017cej.<\/em><\/p>\n

Tomasz Alen Kopera<\/b>\u00a0was born in 1976 in Ko\u017cuch\u00f3w, Poland. He attended the University of Technology in Wroc\u0142aw, where he gained a degree in construction engineering. His artistic talent came to light in early childhood. Highly fascinated with human nature, the surrounding universe and all that is dark and mysterious, Kopera\u2019s works demonstrate both a high degree in sensitivity as well as his desire to touch the subconscious by arousing a need to pause and contemplate in the spectator.<\/p>\n

Tomasz paints in oil on canvas. His technique, developed over many years, testifies to the artist\u2019s great sensitivity and talent, where the acute attention to detail and mastery of colour proves his art to be of highest level.<\/p>\n

In 2005, the artist has moved to Northern Ireland where he was living for over a decade. Currently he lives and creates in Poland.<\/p>\n

In 2010 \u2013 2021 he has been a member of Libellule Group formed by Lukas Kandl.<\/p>\n

The works of Tomasz Alen Kopera are presented at exhibitions in Poland and abroad, they could be admired, among others, in Paris, Vienna, New York, and many other prestigious places in Europe, America and Australia.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”In Kopera’s Own Words”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]\u201cIn my work I try to reach to the subconscious. I want to keep the viewer\u2019s attention for a longer moment. I would like the spectator to feel the need for a minute of quiet reflection and contemplation.<\/em><\/p>\n

I usually get my ideas for new paintings in the least expected moments. The idea for new creation just appears in my head. Some ideas come from my wife, we like to sit and talk together for hours, and sometimes these chats then turn into new surprising creations. The most important and also most difficult part of creation is actually visualising the idea, seeing the subject in the eyes of my imagination. Very often while working on a painting, I see an idea for my next work.<\/em><\/p>\n

I am fascinated by fire. To me it is the symbol of creation but it also acts as a purifying force -cleansing us of our sins, where new is born from old, where destruction is closely bound with resurrection, a symbol of change. I like to introduce all these aspects into my work.<\/em><\/p>\n

When I paint, I like to work without any time constraints. I definitely do not like to be rushed. I usually start in the early morning when I am fresh and well rested and paint through the day. Having a clear mind during the process is of utmost importance for me.<\/em><\/p>\n

The most important point is the beginning of the creative process. At this time I prefer to work in peace with no phone-calls, no talking, just a simple calmness. The first phase requires the most focus and concentration. I don\u2019t do sketching, or do it very rarely and in a rough form; I simply start painting on canvas straight away. The initial idea then develops into clearer picture, sometimes even into a new and completely different idea. The initial creation is therefore also the most unsettled phase, as very often I get new ideas during that time, change things and add things. I start with one vision, but the final result can sometimes be completely different.<\/em><\/p>\n

Music is one thing that is inherently connected with my creation. It plays a crucial role and goes together with my mood, depending on the particular work. I listen to everything from classical piano, orchestra, through to the more modern and very often heavy, dark music, not excluding gothic and heavy metal.<\/em><\/p>\n

Sometimes the message of my work is very clear, I could give it a title, but I don\u2019t do it, I do not want to name it, I prefer to leave it to the viewer. For him to read the message, to think about it, and perhaps for him to make his \/ her own title and story to that particular painting. Very often people ask me to talk about my art, but I always say, that if I could describe my paintings then I would not paint, but write. I cannot interpret my paintings with words; I don\u2019t know how to do it. Therefore I paint, and I paint for this reason so I don\u2019t need to talk about it. It\u2019s all about the message, and my message goes to the viewer not through the words but through the painting. This is also the reason that majority of my painting do not have a title. I leave this to the viewer\u201d.<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”13548″ img_size=”full”][vc_single_image image=”14233″ img_size=”full”][vc_single_image image=”14232″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”Artist’s Main Exhibitions”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]05.2003<\/b> \u2013 Centrum Kultury AGORA Wroc\u0142aw (Poland)<\/p>\n

04.2005<\/b> \u2013 Galeria Epicentrum in Jastrz\u0119bie Zdr\u00f3j (Poland)<\/p>\n

09.2005\u00a0<\/b>\u2013 Royal Ulster Academy of Arts Annual Exhibition in Belfast (Northern Ireland)<\/p>\n

11.2008<\/b> \u2013 Dreamscape Amsterdam 2008 ( Netherlands)<\/p>\n

05.2009<\/b> \u2013 International Art Exhibition, Graham Fine Art \u2013 London (United Kingdom)<\/p>\n

06.2009<\/b> \u2013\u00a0World Art Expo \u2013 Orange County, California (United States)<\/p>\n

11.2009<\/b> \u2013 \u201cGenesis\u201d, Chalk Farm Gallery, Santa Fe (United States)<\/p>\n

03.2010<\/b> \u2013 Dreamscape Amsterdam 2010 (Netherlands)<\/p>\n

07.2010<\/b> \u2013 EXCLAMATIONS!, Chapelle des J\u00e9suites (France) \u2013 (Libellule Group)<\/p>\n

09.2010<\/b> \u2013 EXCLAMATIONS!, VIECHTACH \u2013 First Fantastic Art Biennial, Alten Rathaus (Germany) -(Libellule Group)<\/p>\n

11.2010<\/b> \u2013 \u201c$ 1,000,000.00\u201d,Comparaisons 2010, Grand Palais, Paris (France)- (Libellule Group)<\/p>\n

02.2011<\/b> \u2013<\/strong> \u201cEquanimity\u201d, Chalk Farm Gallery, Santa Fe (United States)<\/p>\n

02.2011<\/b> \u2013 EXCLAMATIONS! Museumsgalerie Palais Palffy, Vienna (Austria) \u2013 (Libellule Group)<\/p>\n

06.2011<\/b> \u2013 Graham Fine Art, London (United Kingdom)<\/p>\n

11.2011<\/b> \u2013 PHOENIX AND DRAGONS Comparaisons 2011, Grand Palais, Paris (France) \u2013 (Libellule Group)<\/p>\n

03.2012 <\/b>\u2013\u00a0<\/b>\u201c$ 1,000,000.00\u201d, Chamalieres (France) \u2013 (Libellule Group)<\/p>\n

03.2012 <\/b>\u2013\u00a0<\/b>DREAMSCAPES MIXED-UP, Enschede (Netherlands)<\/p>\n

05.2012 <\/b>\u2013\u00a0<\/b>Graham Fine Art, London (united Kingdom)<\/p>\n

07.2012 <\/b>\u2013\u00a0<\/b>PHOENIX AND DRAGONS, Chaumont en Champagne (France) \u2013 (Libellule Group)<\/p>\n

09.2012 <\/b>\u2013\u00a0<\/b>PHOENIX AND DRAGONS Second Fantastic Art Biennial \u2013 Alten Rathaus, Viechtach (Germany) \u2013 (Libellule Group)<\/p>\n

11.2012\u00a0<\/strong>\u2013 \u201cZODIAC\u201d\u00a0 Comparaisons 2012, Grand Palais, Paris, France \u2013 (Libellule Group)<\/p>\n

01.2013 <\/strong>\u2013 \u201c$ 1,000,000.00\u201d\u00a0 Phantasten Museums, Palais Palffy, Vienna, Austria \u2013 (Libellule Group)<\/p>\n

04.2013 <\/strong>\u2013\u00a0<\/strong>\u201c$ 1,000,000.00\u201d Riegersburg\u2019s Baroque Castle, Austria \u2013 (Libellule Group)<\/p>\n

06.2013 <\/strong>\u2013\u00a0<\/strong>\u201cDREAMSCAPES V\u201d\u00a0 Alten Rathaus, Viechtach, Germany<\/p>\n

06.2013<\/strong> \u2013 Tomasz joined\u00a0Art\u00e9clat \u2013 where dreams become art<\/em>\u00a0\u2013 fine art online gallery<\/p>\n

09.2013 <\/strong>\u2013 \u201cMAGICAL DREAMS II\u201d Bator Art Gallery, Szczyrk, Poland<\/p>\n

09.2013<\/strong> \u2013\u00a0 \u201cPHOENIX AND DRAGONS\u201d\u00a0 Annweiler Hohenstaufensaal, Germany \u2013 (Libellule Group)<\/p>\n

12.2013\u00a0<\/strong>\u2013 \u201cTRIBUTE TO OLD MASTERS\u201d Comparaisons 2013, Grand Palais, Paris, France \u2013 (Libellule Group)<\/p>\n

03.2014<\/strong>\u00a0\u2013 \u201cAntiques Art & Interiors Fair\u201d,\u00a0RDS, Dublin, Ireland<\/p>\n

08.2014<\/strong> \u2013 ZODIAC\u00a0 CHAUMONT EN CHAMPAGNE\u00a0\u2013 Chapelle des J\u00e9suites, France \u2013 (Libellule Group)<\/p>\n

09.2014<\/strong> \u2013\u00a0 ZODIAC VIECHTACH\u00a0\u2013 3rd Fantastic Art Biennial \u2013 Alten Rathaus, Germany \u2013 (Libellule Group)<\/p>\n

10.2014<\/strong> \u2013 \u201cDreamscapses\u201d Alden Biesen, Belgium<\/p>\n

11.2014<\/strong> \u2013 \u201cArt Source 2014\u201d Art exhibition in\u00a0The Royal\u00a0Dublin\u00a0Society, Dublin, Ireland<\/p>\n

11.2015<\/strong> \u2013 Charity auction \u201cWielkie Serce\u201d Society, Poland<\/p>\n

02.2016<\/strong> -5th beinArt at CoproGallery, Santa Monica, California, USA.<\/p>\n

02.2016<\/strong> \u2013 \u201cZodiac\u201d & \u201cOne Million Dollar Banknotes\u201d \u2013 Museum im Schafstall, Neuenstadt am Kocher, Germany (Libellule Group)<\/p>\n

03.2016<\/strong> \u2013 \u201cPonad horyzontem zdarze\u0144. Wizjonerzy malarstwa polskiego\u201d \u2013 Gallery Quantum, Warsaw, Poland<\/p>\n

05.2016<\/strong> \u2013 “MAGICAL DREAMS III”, Poland, Germany<\/p>\n

07.2016<\/strong> \u2013 \u201cIm\u2019ago Primordialis\u201d \u2013 Krab Jab Studio, Seattle USA<\/p>\n

08.2016<\/strong> \u2013 \u201cPolish Contemporary Art: Surrealism & Magic Realism\u201d \u2013 Auction House DESA Unicum, Warsaw, Poland<\/p>\n

09.2016<\/strong> \u2013 \u201cTribute to Old Masters\u201d \u2013 Viechtach, Germany (Libellule Group)<\/p>\n

02.2017<\/strong> \u2013 \u201cMetamorfoza\u201d, Gdansk, Poland<\/p>\n

02.2017<\/strong> \u2013 \u201cShadow\u201d at\u00a0BeinArt Gallery, Brunswick, Australia<\/p>\n

02.2017<\/strong> \u2013 \u201cPonad horyzontem zdarze\u0144. Wizjonerzy malarstwa polskiego\u201d \u2013 Quantum Gallery, Warsaw, Poland<\/p>\n

09.2017<\/strong>\u00a0\u2013 \u201cMetamorfoza\u201d, Wroclaw, Poland<\/p>\n

09.2017<\/strong> \u2013 “Magical Dreams IV” at Bator Art Gallery, Szczyrk, Poland<\/p>\n

11.2017<\/strong> \u2013 “Into the Woods II” at Haven Gallery, New York, USA<\/p>\n

11.2017<\/strong>\u00a0\u2013 “Dreamscapes” Contemporary Imaginary Realism- Edition Six, Traun, Austria<\/p>\n

02.2018<\/strong> \u2013 “Heavenly Hell or Hellish Paradise” – Grand Palais \u2013 Art Capital in Paris, France (Libellule Group)<\/p>\n

03.2018<\/strong> \u2013 “Magical Dreams IV” – Alten Rathaus, Viechtach, Germany<\/p>\n

03.2018<\/strong> \u2013 “One million dollars banknotes” – C\u00edrculo de Arte de Toledo, Spain (Libellule Group)<\/p>\n

05.2018<\/strong> \u2013 “In Search of Beauty” – Jacek Malczewski Museum in Radom, Poland<\/p>\n

05.2018<\/strong> \u2013 “Magical Dreams IV” – Galerie S\u00fcdliches Friesland, Zetel, Germany<\/p>\n

06.2018<\/strong> \u2013 “Back to Nature<\/a><\/span>” – solo exhibition at the Targira-art Expo, \u015awiebodzice, Poland<\/p>\n

07.2018<\/strong> \u2013 \u201cZodiac\u201d – Palais des Congr\u00e8s, Vittel, France (Libellule Group)<\/p>\n

08.2018<\/strong> \u2013 “Magical Dreams IV” – Galeria Miejska, Wroclaw, Poland<\/p>\n

09.2018<\/strong> \u2013 “Magical Dreams IV” – Deutches Hopfenmuseum, Wolnzach, Germany<\/p>\n

10.2018<\/strong> \u2013 “Tribute to Old Masters” – Radio and TV\u00a0House, Bratislava, Slovakia (Libellule Group)<\/p>\n

10.2018<\/strong> \u2013 “Paradisiac Hell or Hellish Paradise” \u2013 Ch\u00e2teau fort – France (Libellule Group)<\/p>\n

03.2019<\/strong> \u2013 “Exclamation” & “One million dollars banknotes\u201d \u2013 Galerie Carqueville, Gera, Germany (Libellule Group)<\/p>\n

04.2019<\/strong> \u2013 “Paradisiac Hell or Hellish Paradise” \u2013 Circulo del Arte, Toledo, Spain (Libellule Group)<\/p>\n

09.2019<\/strong> \u2013 \u201cTribute to Old Masters\u201d \u2013 Galeria Miejska, Wroclaw, Poland (Libellule Group)<\/p>\n

09.2019<\/strong> \u2013 \u201cMagical Dreams V\u201d at Bator Art Gallery, Szczyrk, Poland<\/p>\n

02.2020<\/strong> \u2013 \u201cTribute to LaFontaine<\/a><\/span>\u201d \u2013 Grand Palais \u2013 Art Capital in Paris, France (Libellule Group)<\/p>\n

09.2020<\/strong> \u2013\u00a0 \u201cTribute to LaFontaine<\/a><\/span>\u201d – Alten Rathaus, Viechtach, Germany (Libellule Group)<\/p>\n

10.2020<\/strong> \u2013\u00a0 \u201cRoadside Attractions\u201d – Copro Gallery, Santa Monica, California, USA<\/p>\n

09.2021<\/strong> \u2013 \u201cMagical Dreams VI<\/a><\/span>\u201d – Bator Art Gallery, Szczyrk, Poland<\/p>\n

10.2021<\/strong> \u2013 \u201cArt Innsbruck<\/a><\/span>\u201d – Art Fair – one artist show, Innsbruck, Austria<\/p>\n

02.2022<\/strong> \u2013 \u201cWOMAN \u2013 contemporary artists in memory of Anna Bilinska<\/a><\/span>\u201d \u2013 Museum of Jacek Malczewski, Radom, Poland<\/p>\n

05.2022<\/strong> \u2013 Individual exhibition<\/a><\/span> – Gallery “Zamek”, Szczecinek, Poland<\/p>\n

06.2021<\/strong> \u2013 \u201cFantasy Art in Warsaw<\/a><\/span>\u201d – Museum of Fantasy Art, Warsaw, Poland<\/p>\n

10.2022<\/strong> \u2013 Individual exhibition<\/span><\/a> – CPK Art Centre, Warsaw, Poland<\/p>\n

07.2023<\/strong> – \u201cDuality<\/span><\/a>\u201d – Haven Gallery, New York, USA<\/p>\n

09.2023<\/strong> \u2013 \u201cMagical Dreams VI<\/span><\/a>\u201d \u2013 Bator Art Gallery, Szczyrk, Poland[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”14292″ img_size=”full”][vc_single_image image=”14291″ img_size=”full”][vc_single_image image=”14295″ img_size=”full”][vc_single_image image=”14296″ img_size=”full”][vc_single_image image=”14289″ img_size=”full”][vc_single_image image=”14297″ img_size=”full”][vc_single_image image=”14294″ img_size=”full”][vc_single_image image=”14293″ img_size=”full”][vc_single_image image=”14290″ img_size=”full”][vc_single_image image=”16042″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”S\u0142owo o arty\u015bcie”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]Tomasz Alen Kopera<\/strong> urodzi\u0142 si\u0119 w 1976 roku w Ko\u017cuchowie. Uko\u0144czy\u0142 Politechnik\u0119 Wroc\u0142awsk\u0105 z dyplomem in\u017cyniera budownictwa. Jego talent artystyczny ujawni\u0142 si\u0119 ju\u017c we wczesnym dzieci\u0144stwie. W pracach Kopery widoczna jest fascynacja ludzk\u0105 natur\u0105, otaczaj\u0105cym \u015bwiatem oraz wszystkim co mroczne i tajemnicze. Przedstawiaj\u0105 zar\u00f3wno wysoki poziom wra\u017cliwo\u015bci jak i pragnienie oddzia\u0142ywania na pod\u015bwiadomo\u015b\u0107 patrz\u0105cego oraz wzbudzenia w nim potrzeby zatrzymania si\u0119 i kontemplacji.<\/p>\n

Tomasz maluje g\u0142\u00f3wnie farbami olejnymi na p\u0142\u00f3tnie. Wypracowana latami technika \u015bwiadczy o jego wielkiej wra\u017cliwo\u015bci i talencie, a wnikliwa dba\u0142o\u015b\u0107 o szczeg\u00f3\u0142y i mistrzowskie opanowanie barw sprawia, \u017ce jego sztuka znajduje si\u0119 na najwy\u017cszym poziomie artystycznym.<\/p>\n

W 2005 roku artysta wyjecha\u0142 do Irlandii P\u00f3\u0142nocnej, gdzie mieszka\u0142 i tworzy\u0142 przez ponad dekad\u0119. Obecnie Tomasz Alen Kopera mieszka w Polsce.<\/p>\n

W latach 2010 \u2013 2021 nale\u017ca\u0142 do grupy artystycznej Libellule<\/em> za\u0142o\u017conej przez Lukasa Kandla.<\/p>\n

Prace Tomasza Alena Kopery prezentowane s\u0105 na wystawach w Polsce i zagranic\u0105, mo\u017cna je by\u0142o podziwia\u0107 m.in. w Pary\u017cu, Wiedniu, Nowym Jorku, oraz wielu innych miejscach Europy, Ameryki i Australii.<\/p>\n

…<\/p>\n

“W moich pracach staram si\u0119 dzia\u0142a\u0107 na pod\u015bwiadomo\u015b\u0107. Chc\u0119 zatrzyma\u0107 uwag\u0119 widza na d\u0142u\u017csz\u0105 chwil\u0119, obudzi\u0107 w nim potrzeb\u0119 refleksji i kontemplacji.<\/em><\/p>\n

Pomys\u0142y na nowe obrazy zazwyczaj przychodz\u0105\u00a0 w najmniej oczekiwanych momentach, po prostu pojawiaj\u0105 si\u0119 w mojej g\u0142owie. Niekt\u00f3re z nich to pomys\u0142y mojej \u017cony – lubimy usi\u0105\u015b\u0107 razem a nasze kilkugodzinne rozmowy czasami przeradzaj\u0105 si\u0119 w nowe, zaskakuj\u0105ce wizje. Najwa\u017cniejszym i zarazem najtrudniejszym elementem tworzenia jest wizualizacja danego pomys\u0142u, spojrzenie na temat oczami wyobra\u017ani. Bardzo cz\u0119sto podczas pracy nad jednym obrazem pojawia si\u0119 pomys\u0142 na kolejny.<\/em><\/p>\n

Fascynuje mnie ogie\u0144. Jest on dla mnie symbolem tworzenia oraz dzia\u0142ania oczyszczaj\u0105cej si\u0142y, kt\u00f3ra wymazuje nasze grzechy. Tam gdzie ze starego odradza si\u0119 nowe, gdzie zniszczenie jest \u015bci\u015ble zwi\u0105zane ze wskrzeszeniem – jako symbol przemiany. Chcia\u0142bym wszystkie te aspekty przedstawi\u0107 w swoich pracach.<\/em><\/p>\n

Kiedy maluj\u0119 nie lubi\u0119 mie\u0107 \u017cadnych ogranicze\u0144 czasowych, zdecydowanie nie lubi\u0119 pospiechu. Zazwyczaj zaczynam wczesnym rankiem, kiedy jestem wypocz\u0119ty i kontynuuj\u0119 prac\u0119 w ci\u0105gu dnia. Lubi\u0119 mie\u0107 jasny umys\u0142 w trakcie tworzenia, to dla mnie niezwykle wa\u017cne.<\/em><\/p>\n

Najwa\u017cniejszym punktem procesu tw\u00f3rczego jest jego pocz\u0105tek. Preferuj\u0119 w\u00f3wczas prac\u0119 w pe\u0142nym spokoju – \u017cadnych telefon\u00f3w, \u017cadnych rozm\u00f3w, po prostu cisza i spok\u00f3j. Pierwsza faza wymaga najwi\u0119cej skupienia i koncentracji. Nie sporz\u0105dzam szkic\u00f3w lub robi\u0119 to bardzo rzadko i w surowej formie, po prostu od razu zaczynam malowa\u0107 na p\u0142\u00f3tnie. Pocz\u0105tkowy pomys\u0142 powoli przeradza si\u0119 w obraz, czasami przekszta\u0142ca si\u0119 w wizj\u0119 zupe\u0142nie now\u0105. Dlatego te\u017c pocz\u0105tkowa faza tw\u00f3rczo\u015bci jest najbardziej burzliwa – bardzo cz\u0119sto pojawiaj\u0105 si\u0119 w\u00f3wczas nowe pomys\u0142y i znacz\u0105ce zmiany. Zaczynam od pewnej wizji a efekt ko\u0144cowy mo\u017ce by\u0107 ju\u017c diametralnie r\u00f3\u017cny.<\/em><\/p>\n

Jedn\u0105 z rzeczy nieod\u0142\u0105cznie zwi\u0105zanych z moj\u0105 tw\u00f3rczo\u015bci\u0105 jest muzyka. Odgrywa ona kluczow\u0105 rol\u0119, id\u0105c w parze z nastrojem zale\u017cnym od konkretnego etapu mojej pracy. S\u0142ucham wszystkiego, od klasycznego fortepianu, orkiestry a\u017c po bardziej nowoczesn\u0105, cz\u0119sto ci\u0119\u017ck\u0105 i mroczn\u0105 muzyk\u0119, w tym gothic i heavy metal.<\/em><\/p>\n

Czasami przes\u0142anie mojego obrazu jest bardzo jasne, m\u00f3g\u0142bym nada\u0107 mu tytu\u0142, ale nie robi\u0119 tego, nie chc\u0119 go nazywa\u0107, wol\u0119 pozostawi\u0107 to odbiorcy – aby m\u00f3g\u0142 sam odczyta\u0107 przes\u0142anie, zastanowi\u0107 si\u0119 nad nim, nada\u0107 mojej pracy sw\u00f3j w\u0142asny tytu\u0142 oraz histori\u0119. Ludzie bardzo cz\u0119sto prosz\u0105 mnie, \u017cebym wypowiedzia\u0142 si\u0119 na temat swojej tw\u00f3rczo\u015bci, ale zawsze powtarzam, \u017ce gdybym m\u00f3g\u0142 opisa\u0107 swoje obrazy to – zamiast malowa\u0107 – pisa\u0142bym. Nie potrafi\u0119 zinterpretowa\u0107 moich obraz\u00f3w poprzez s\u0142owa, nie wiem jak to zrobi\u0107. Najwa\u017cniejsze w tym wszystkim jest przes\u0142anie, i to ono trafia do widza nie poprzez s\u0142owa ale poprzez malarstwo. Dlatego te\u017c w\u0142a\u015bnie wi\u0119kszo\u015b\u0107 moich prac nie ma tytu\u0142u – pozostawiam to odbiorcy<\/em>\u201d.<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”15761″ img_size=”full”][vc_single_image image=”16579″ img_size=”full”][vc_single_image image=”14992″ img_size=”full”][vc_single_image image=”15672″ img_size=”full”][vc_single_image image=”16163″ img_size=”full”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1492590866025{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_column width=”1\/6″][vc_single_image image=”13542″ img_size=”full”][\/vc_column][vc_column width=”5\/6″][vc_column_text] Stage name \u00a0Alen Nationality \u00a0Polish Field \u00a0Painting Movement \u00a0Surrealism Informacje o arty\u015bcie w j\u0119zyku polskim znajduj\u0105 si\u0119 poni\u017cej. Tomasz Alen Kopera\u00a0was born in 1976 in Ko\u017cuch\u00f3w, Poland. He attended the University of Technology in Wroc\u0142aw, where he gained a degree in construction engineering. His artistic […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"yoast_head":"\nArteclat.com - Where Dreams Become Art - About the artist - Tomasz Alen Kopera<\/title>\n<meta name=\"description\" content=\"Information about the artist - Tomasz Alen Kopera, his biography, exhibitions, auctions, creation process. 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