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Informacje o arty\u015bcie w j\u0119zyku polskim znajduj\u0105 si\u0119 poni\u017cej.<\/em><\/p>\n Arkadiusz Dzielawski<\/strong> – painter, photographer and designer – was born in 1967 in Czestochowa, Poland. He graduated from the Cz\u0119stochowa Art School and then obtained the faculty of Art Education at the Pedagogical University. In 1993 he received an artistic scholarship from the Mayor of the city. His paintings are located in private collections in Poland and abroad.<\/p>\n Arkadiusz Dzielawski’s painting falls within the movement of magical realism. His paintings present a seemingly ordinary, everyday reality. Thanks to the surprising combinations of the motifs presented, the multiplication of details, as well as the manipulation of perspective and light, they acquire unique and surrealistic features. Painting became an escape from the chaos of the world for the artist, a kind of therapy combined with meditation. Paintings emanate peace and harmony. The border between what is real and what is fantastic is blurred, and the characters from the canvases are trying to make contact with the recipient. The accumulation of details and symbols refers to the viewer’s imagination, connotations and own experiences, encouraging independent interpretation.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”In Dzielawski’s Own Words”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]Titles of the paintings are often a hint and a key to deciphering the author’s intentions. The series “Portals” consists of paintings addressing the archetypal transition theme – in this case from the visible world to the fantastic spiritual and supernatural world. These parallel realities are interconnected by a system of life’s arteries, taking the form of the tree girdles entwining the branches. In turn, in the cycles of “The Lord of Time” and “Playing Mermaids”, the narrative was based around the element of spirituality and the existence of the primary force guiding human fate and destiny. It is the fantastic creatures depicted in the paintings that ultimately determine the fate of man – a lone sailing ship, where our life depends on their whim.<\/p>\n Dzielawski does not deform reality, he tries to give it new meanings by introducing non-obvious connections and mythological references. For example, giant sea creatures (turtles, deep-sea fish), which – as in ancient legends – carry on their ridges the cities symbolizing our civilization. The artist tries to show the world of his fascinations, and above all fears, using a personal dictionary of symbols and metaphors. An important topic in his work is time, or rather its inevitable passing. Not only the clocks are returning in the paintings, but also the crumbling walls, old people, and ruined buildings. The time we have left is limited. But is it true? Are Portals the transitions to another world unknown to us? Or maybe we are born and die multiple times? The artist repeats after Paul Gauguin the basic question: “Where do we come from? Who we are? Where are we heading?”<\/p>\n The workmanship and techniques used by Dzielawski refer to the tradition of the 17th-century Flemish painting. The final colour of the painting is achieved by the use of monochrome tempera underpaintings, colorful imprimitures and extraction of individual parts of the image with the help of opaque layers and glazes, giving the effect of “shining” through the layers of a painting. Colours on canvas are created largely as a result of overlapping layers of paint, rather than by mixing colours on the palette, which gives the image extraordinary depth and brightness.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”16462″ img_size=”full”][vc_single_image image=”16445″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”Artist’s Main Exhibitions”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]01.2015<\/strong> – XIV Edition “Bli\u017aniemu Swemu” 2015 \/ 2016<\/p>\n 08.2016<\/strong> – Surrealizm i realizm magiczny, Dom Aukcyjny Desa Unicum, Warsaw, Poland<\/p>\n 04.2017<\/strong> – Muzeum Monet, Cz\u0119stochowa<\/p>\n 07.2017<\/strong> – XV Biennale \u201eBli\u017aniemu Swemu\u201d – Narodowa Galeria Zach\u0119ta, Warsaw, Poland<\/p>\n 09.2017<\/strong> – Solo Exhibition – O\u015brodek Promocji Kultury Gaude Mater, Cz\u0119stochowa<\/p>\n 12.2017<\/strong> – XV Biennale \u201eBli\u017aniemu Swemu\u201d – Muzeum Miejskie Wroc\u0142awia, Wroclaw, Poland<\/p>\n 01.2018<\/strong> – XV Biennale \u201eBli\u017aniemu Swemu\u201d – Ratusz, Muzeum Miasta Gda\u0144sk, Gdansk, Poland<\/p>\n 01.2018<\/strong> – XV Biennale \u201eBli\u017aniemu Swemu\u201d – Galeria Sztuki Wsp\u00f3\u0142czesnej BWA Katowice, Poland<\/p>\n 02.2018<\/strong> – XV Biennale \u201eBli\u017aniemu Swemu\u201d – Filharmonia Podkarpacka, Rzesz\u00f3w, Poland<\/p>\n 05.2018<\/strong> – XIV Plener ISD Huta Cz\u0119stochowa, Muzeum Cz\u0119stochowskie Ratusz, Poland<\/p>\n 05.2018<\/strong> – \u201eIn search of beauty\u201d Muzeum im. Jacka Malczewskiego, Radom, Poland<\/p>\n 05.2018<\/strong> – \u201eSpotkania artystyczne\u201d ZPAP Okr\u0119g Cz\u0119stochowski, Cz\u0119stochowa, Poland<\/p>\n 11.2018<\/strong> – Solo Exhibition – Wie\u017ca Sztuki, Kielce, Poland<\/p>\n 01.2019<\/strong> – Solo Exhibition – Jazz Club Atelier, Nowy S\u0105cz<\/p>\n 01.2019<\/strong> – Solo Exhibition – Folwark Stera Winiarnia, Mszana Dolna<\/p>\n 05.2019<\/strong> – XV Plener ISD Huta Cz\u0119stochowa \u201eNowe pokolenia\u201d Ratusz Muzeum Cz\u0119stochowskie<\/p>\n 06.2019<\/strong> \u2013 Art Expo \u201cTargira\u201d, winner of Grand Prix, \u015awiebodzice, Poland<\/p>\n 09.2019<\/strong> – \u201cMagical Dreams V\u201d – Bator Art Gallery, Szczyrk, Poland<\/p>\n 09.2019<\/strong> – Art Festival \u201eRealizm, a zmys\u0142y mami\u201d – OPK Gaude Mater, Cz\u0119stochowa, Poland<\/p>\n 11.2019<\/strong> – Art Festival \u201eRealizm, a zmys\u0142y mami\u201d – Muzeum Cz\u0119stochowskie<\/p>\n 01.2020<\/strong> – Art Festival \u201eRealizm, a zmys\u0142y mami\u201d \u2013 RTZSP – Konduktorownia, Cz\u0119stochowa<\/p>\n 02.2020<\/strong> – \u201cMagical Dreams V\u201d – Centrum Promocji Kultury Praga Po\u0142udnie, Warsaw, Poland<\/p>\n 02.2020<\/strong> – \u201ePercepcja Ko\u0142a\u201d – Ratusz Staromiejski Gda\u0144sk, Poland<\/p>\n 03.2020<\/strong> – \u201cMagical Dreams V\u201d – Centrum Kultury Browar B, W\u0142oc\u0142awek, Poland<\/p>\n 03.2020<\/strong> – \u201ePercepcja Ko\u0142a\u201d – Galeria Sztuki Wsp\u00f3\u0142czesnej, Ko\u0142obrzeg, Poland<\/p>\n 09.2021<\/strong> – \u201cMagical Dreams V<\/a><\/span>\u201d – Bator Art Gallery, Szczyrk, Poland<\/p>\n 02.2022<\/strong> – \u201cWOMAN \u2013 contemporary artists in memory of Anna Bilinska<\/span><\/a>\u201d – Museum of Jacek Malczewski, Radom, Poland<\/p>\n 02.2023<\/strong> – \u201cArt Capital<\/a><\/span>\u201d – Grand Palais, Paris, France<\/p>\n 08.2023<\/strong> – \u201cThe Pre-Raphaelites<\/a><\/span>\u201d – Haven Gallery, New York, USA<\/p>\n