{"id":16744,"date":"2020-10-09T15:17:56","date_gmt":"2020-10-09T15:17:56","guid":{"rendered":"https:\/\/www.arteclat.com\/?p=16744"},"modified":"2021-01-21T13:31:36","modified_gmt":"2021-01-21T13:31:36","slug":"meeting-with-tomasz-alen-kopera","status":"publish","type":"post","link":"https:\/\/www.arteclat.com\/meeting-with-tomasz-alen-kopera\/","title":{"rendered":"Meeting with Tomasz Alen Kopera"},"content":{"rendered":"

Wersja w j\u0119zyku polskim poni\u017cej.<\/strong><\/p>\n

Our recent meeting with Tomasz Alen Kopera in his studio. Did you know that Tomasz usually works on a few paintings at the time? You can read about his creation process below.<\/p>\n

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\u201cIn my work I try to reach to the subconscious. I want to keep the viewer\u2019s attention for a longer moment. I would like the spectator to feel the need for a minute of quiet reflection and contemplation.<\/em><\/p>\n

I usually get my ideas for new paintings in the least expected moments. The idea for new creation just appears in my head. Some ideas come from my wife, we like to sit and talk together for hours, and sometimes these chats then turn into new surprising creations. The most important and also most difficult part of creation is actually visualising the idea, seeing the subject in the eyes of my imagination. Very often while working on a painting, I see an idea for my next work.<\/em><\/p>\n

I am fascinated by fire. To me it is the symbol of creation but it also acts as a purifying force -cleansing us of our sins, where new is born from old, where destruction is closely bound with resurrection, a symbol of change. I like to introduce all these aspects into my work.<\/em><\/p>\n

When I paint, I like to work without any time constraints. I definitely do not like to be rushed. I usually start in the early morning when I am fresh and well rested and paint through the day. Having a clear mind during the process is of utmost importance for me.<\/em><\/p>\n

The most important point is the beginning of the creative process. At this time I prefer to work in peace with no phone-calls, no talking, just a simple calmness. The first phase requires the most focus and concentration. I don\u2019t do sketching, or do it very rarely and in a rough form; I simply start painting on canvas straight away. The initial idea then develops into clearer picture, sometimes even into a new and completely different idea. The initial creation is therefore also the most unsettled phase, as very often I get new ideas during that time, change things and add things. I start with one vision, but the final result can sometimes be completely different.<\/em><\/p>\n

Music is one thing that is inherently connected with my creation. It plays a crucial role and goes together with my mood, depending on the particular work. I listen to everything from classical piano, orchestra, through to the more modern and very often heavy, dark music, not excluding gothic and heavy metal.<\/em><\/p>\n

Sometimes the message of my work is very clear, I could give it a title, but I don\u2019t do it, I do not want to name it, I prefer to leave it to the viewer. For him to read the message, to think about it, and perhaps for him to make his \/ her own title and story to that particular painting. Very often people ask me to talk about my art, but I always say, that if I could describe my paintings then I would not paint, but write. I cannot interpret my paintings with words; I don\u2019t know how to do it. Therefore I paint, and I paint for this reason so I don\u2019t need to talk about it. It\u2019s all about the message, and my message goes to the viewer not through the words but through the painting. This is also the reason that majority of my painting do not have a title. I leave this to the viewer\u201d.<\/em><\/p>\n

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Nasze niedawne spotkanie z Tomaszem Alenem Koper\u0105. Tomasz jak zwykle pracuje nad kilkoma rozpocz\u0119tymi obrazami. O jego procesie tw\u00f3rczym, przyzwyczajeniach, muzyce, kt\u00f3rej lubi s\u0142ucha\u0107 w trakcie malowania oraz wielu innych ciekawostkach przeczytaj\u0105 Pa\u0144stwo poni\u017cej.<\/p>\n

\u201cW moich pracach staram si\u0119 dzia\u0142a\u0107 na pod\u015bwiadomo\u015b\u0107. Chc\u0119 zatrzyma\u0107 uwag\u0119 widza na d\u0142u\u017csz\u0105 chwil\u0119, obudzi\u0107 w nim potrzeb\u0119 refleksji i kontemplacji.<\/em><\/p>\n

Pomys\u0142y na nowe obrazy zazwyczaj przychodz\u0105\u00a0 w najmniej oczekiwanych momentach, po prostu pojawiaj\u0105 si\u0119 w mojej g\u0142owie. Niekt\u00f3re z nich to pomys\u0142y mojej \u017cony \u2013 lubimy usi\u0105\u015b\u0107 razem a nasze kilkugodzinne rozmowy czasami przeradzaj\u0105 si\u0119 w nowe, zaskakuj\u0105ce wizje. Najwa\u017cniejszym i zarazem najtrudniejszym elementem tworzenia jest wizualizacja danego pomys\u0142u, spojrzenie na temat oczami wyobra\u017ani. Bardzo cz\u0119sto podczas pracy nad jednym obrazem pojawia si\u0119 pomys\u0142 na kolejny.<\/em><\/p>\n

Fascynuje mnie ogie\u0144. Jest on dla mnie symbolem tworzenia oraz dzia\u0142ania oczyszczaj\u0105cej si\u0142y, kt\u00f3ra wymazuje nasze grzechy. Tam gdzie ze starego odradza si\u0119 nowe, gdzie zniszczenie jest \u015bci\u015ble zwi\u0105zane ze wskrzeszeniem \u2013 jako symbol przemiany. Chcia\u0142bym wszystkie te aspekty przedstawi\u0107 w swoich pracach.<\/em><\/p>\n

Kiedy maluj\u0119 nie lubi\u0119 mie\u0107 \u017cadnych ogranicze\u0144 czasowych, zdecydowanie nie lubi\u0119 pospiechu. Zazwyczaj zaczynam wczesnym rankiem, kiedy jestem wypocz\u0119ty i kontynuuj\u0119 prac\u0119 w ci\u0105gu dnia. Lubi\u0119 mie\u0107 jasny umys\u0142 w trakcie tworzenia, to dla mnie niezwykle wa\u017cne.<\/em><\/p>\n

Najwa\u017cniejszym punktem procesu tw\u00f3rczego jest jego pocz\u0105tek. Preferuj\u0119 w\u00f3wczas prac\u0119 w pe\u0142nym spokoju \u2013 \u017cadnych telefon\u00f3w, \u017cadnych rozm\u00f3w, po prostu cisza i spok\u00f3j. Pierwsza faza wymaga najwi\u0119cej skupienia i koncentracji. Nie sporz\u0105dzam szkic\u00f3w lub robi\u0119 to bardzo rzadko i w surowej formie, po prostu od razu zaczynam malowa\u0107 na p\u0142\u00f3tnie. Pocz\u0105tkowy pomys\u0142 powoli przeradza si\u0119 w obraz, czasami przekszta\u0142ca si\u0119 w wizj\u0119 zupe\u0142nie now\u0105. Dlatego te\u017c pocz\u0105tkowa faza tw\u00f3rczo\u015bci jest najbardziej burzliwa \u2013 bardzo cz\u0119sto pojawiaj\u0105 si\u0119 w\u00f3wczas nowe pomys\u0142y i znacz\u0105ce zmiany. Zaczynam od pewnej wizji a efekt ko\u0144cowy mo\u017ce by\u0107 ju\u017c diametralnie r\u00f3\u017cny.<\/em><\/p>\n

Jedn\u0105 z rzeczy nieod\u0142\u0105cznie zwi\u0105zanych z moj\u0105 tw\u00f3rczo\u015bci\u0105 jest muzyka. Odgrywa ona kluczow\u0105 rol\u0119, id\u0105c w parze z nastrojem zale\u017cnym od konkretnego etapu mojej pracy. S\u0142ucham wszystkiego, od klasycznego fortepianu, orkiestry a\u017c po bardziej nowoczesn\u0105, cz\u0119sto ci\u0119\u017ck\u0105 i mroczn\u0105 muzyk\u0119, w tym gothic i heavy metal.<\/em><\/p>\n

Czasami przes\u0142anie mojego obrazu jest bardzo jasne, m\u00f3g\u0142bym nada\u0107 mu tytu\u0142, ale nie robi\u0119 tego, nie chc\u0119 go nazywa\u0107, wol\u0119 pozostawi\u0107 to odbiorcy \u2013 aby m\u00f3g\u0142 sam odczyta\u0107 przes\u0142anie, zastanowi\u0107 si\u0119 nad nim, nada\u0107 mojej pracy sw\u00f3j w\u0142asny tytu\u0142 oraz histori\u0119. Ludzie bardzo cz\u0119sto prosz\u0105 mnie, \u017cebym wypowiedzia\u0142 si\u0119 na temat swojej tw\u00f3rczo\u015bci, ale zawsze powtarzam, \u017ce gdybym m\u00f3g\u0142 opisa\u0107 swoje obrazy to \u2013 zamiast malowa\u0107 \u2013 pisa\u0142bym. Nie potrafi\u0119 zinterpretowa\u0107 moich obraz\u00f3w poprzez s\u0142owa, nie wiem jak to zrobi\u0107. Najwa\u017cniejsze w tym wszystkim jest przes\u0142anie, i to ono trafia do widza nie poprzez s\u0142owa ale poprzez malarstwo. Dlatego te\u017c w\u0142a\u015bnie wi\u0119kszo\u015b\u0107 moich prac nie ma tytu\u0142u \u2013 pozostawiam to odbiorcy<\/em>\u201d.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Wersja w j\u0119zyku polskim poni\u017cej. Our recent meeting with Tomasz Alen Kopera in his studio. Did you know that Tomasz usually works on a few paintings at the time? You can read about his creation process below. \u201cIn my work I try to reach to the subconscious. I want to keep the viewer\u2019s attention for […]<\/p>\n","protected":false},"author":3,"featured_media":16745,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[1],"tags":[],"yoast_head":"\nMeeting with Tomasz Alen Kopera - Art \u00c9clat - Where Dreams Become Art<\/title>\n<meta name=\"description\" content=\"Our recent meeting with Tomasz Alen Kopera in his studio. 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